
By JASON GOODWIN - NYT - Joseph Kanon is a specialist in fin de guerre thrillers, whose previous novels set in 1945-46 include “Alibi,” “Los Alamos,” “The Good German” and “Stardust.” The period is well chosen: dark secrets are finally coming to the surface, and people are being called to account for what the war has made them. For readers, it’s immediately recognizable territory: the aftermath of the conflict, shabby, filmic. Now, in “Istanbul Passage,” Kanon compounds the fraught postwar mood with a location to match.